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Best developer for Kodak Tri-X film?

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[#2908]
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I just picked up my first roll of Kodak Tri-X 400 and I’m honestly so excited to start shooting B&W, but the whole developing side of things is super overwhelming for a beginner like me. Sorry if this is a total noob question, but I have no idea where to start with the chemistry part.

I’ve spent the last couple of nights scrolling through forums—I saw a lot of people swearing by D-76, and then just as many saying Xtol is better for sharpness or something? My logic was just to buy whatever is easiest for a total rookie, but I’m worried about messing it up. I’m based in Seattle, so I’m dealing with pretty flat, gray light most of the time, and I really want that classic, gritty, high-contrast look I see in old street photography books.

I’m on a bit of a budget since I’m still buying gear, so I’d love something that doesn’t cost a fortune and isn't a nightmare to mix. I read that D-76 has a long shelf life, but then someone else said the liquid version of another developer (maybe Rodinal? I think that was the name?) lasts way longer because it’s concentrated? That part really confused me.

I’m trying to get this sorted by next weekend because I have a trip to the coast planned and I really want to have my developer ready to go by then. I’m basically looking for something that is forgiving if I accidentally mess up the timing by a few seconds.

Oh, also—is it better to get a powder that I have to mix with water or a liquid concentrate? I have zero equipment besides a changing bag and a tank I found at a thrift store.

So, what is the most idiot-proof developer for someone just starting with Tri-X? Does it really matter that much for my first few rolls, or should I just pick one and stick with it until I learn the ropes?


15 Answers
12

Like someone mentioned, liquid is better. Last summer I used Adox Rodinal 500ml for Tri-X. It's cheap, lasts forever, and gives that gritty, high-contrast look you want for your coast trip.


11

Rarely post but I saw this and had to chime in because Tri-X and home dev is literally my happy place. Honestly, stop stressing about the "perfect" developer. For a beginner wanting that gritty street look, you have two real paths. First, Kodak HC-110 Developer Concentrate. This is the gold standard for being idiot-proof. It comes as a syrup, so you just mix a tiny amount with water right before you develop, then toss the rest. It lasts forever in the bottle, literally years. It gives great contrast and pulls out that classic Tri-X look without any of the powder mixing headaches. Second, if you want something even more straightforward for consistent results, try Ilford Ilford ID-11 Developer Powder. People hate the mixing part, but it produces such smooth tones that are very forgiving if you mess up your timing by a few seconds. It is much more classic than the sharp, gritty look of the concentrates, but it is way harder to accidentally ruin your shots. My advice? Grab the Kodak HC-110 Developer Concentrate. It is liquid, it is cheap, and it is honestly the most forgiving stuff on the planet. You dont need to overthink it. Just mix it, develop your roll, and enjoy the coast trip. You are gonna be fine, just keep your agitation consistent and dont overthink the process...


4

Honestly, everyone pushes Kodak D-76 Developer Powder but it is such a hassle to mix and store. If you want that gritty look, just grab Adox Rodinal Developer Concentrate. It lasts forever since it is a liquid concentrate, so no weird mixing, and it really makes the grain pop. It might be a bit sharp for some, but for street stuff, it is literally perfect. Just pick one and stop overthinking it, honestly.


3

Forget the hype around Kodak D-76 Developer Powder. It's a pain to store and the powder is messy. Stick to liquid concentrates for ease of use.


3

@Reply #3 - good point! Honestly, everyone acts like you need a chemistry degree to develop Tri-X, but I really think people overcomplicate it just to sound smart. I hear a lot of folks pushing the big name powders because that's what the old manuals say, but honestly, I'm not sure if that's still the best advice for a beginner today. I've always found those powders to be a huge headache to store once they're mixed — they basically go bad if you look at them wrong. I’m not 100% sure, but I feel like you're way better off with a simple liquid concentrate that you can just pour out a tiny bit of and toss. It’s way less stress, and honestly, for your first few rolls, just pick something reliable and don't overthink the science.


3

My buddy told me the exact same thing last week. Guess he was right lol.


3

To add to the point above: everyone acts like you need those fancy brand name chemicals, but honestly, have you checked the prices on some of that stuff lately? It is honestly insane. Before you drop cash on a big bottle, are you planning to scan these yourself or print them in a darkroom? That changes everything regarding the developer you actually need. Lowkey, you can save a ton just by being smart with your dilutions.


3

Seconded!


2

Building on the earlier suggestion, I totally agree that liquids are the way to go for someone just starting out. Mixing powder is a total drag and honestly kind of a mess if you dont have a dedicated space. IIRC, the reason people like the liquid stuff for travel or occasional shooting is that you dont have to worry about a gallon of developer going bad on your shelf.

  • It saves so much space.
  • Cleanup is basically just rinsing your syringe.
  • You wont have that anxiety about whether your chemistry is still good. Idk if this applies to your exact thrift store tank, but just make sure you have a way to measure your water accurately! Not sure if you have a graduated cylinder yet, but that was the only thing that tripped me up at first. Good luck with the coastal trip, Tri-X is gonna look sick in those gray skies...


2

^ This. Also, I’m no expert—I literally spent all last week obsessing over this exact same choice before my first roll—but honestly, just grab Kodak HC-110 Developer Concentrate.

  • It’s liquid, so no powder mess.
  • It lasts basically forever.
  • It gives that punchy contrast you want in Seattle gray. Basically, everyone is pointing you toward concentrates because powder is a headache. Just mix a bit of syrup with water and you’re golden for your trip.


2

This thread is gold. Bookmarking for future reference 🔖


1

Had a moment to think about this while fixing the dishwasher. I started developing at home years ago because the local shop wanted $20 a roll, which is insane for a family of five. I did the whole process for about $3 a roll by bulk loading film and reusing my chemistry until it was dead. It saved me a ton of money over the last decade.

  • I started with a used tank and a closet setup.
  • Learning to manage my own dilutions cut my costs by 75%.
  • I focused on consistency rather than the brand on the bottle. My first roll was a disaster, but I learned more from those ruined frames than from any forum post. Just pick a process, document your times, and stop overthinking the gear. You will figure it out.


1

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1

Wow ok that changes things. Gonna have to rethink my approach now.


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