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Best landscape lens for Canon 5D Mark IV?

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[#4314]
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honestly Im so fed up with my current setup right now, like I went out to shoot some mountain views this past weekend and everything just looked so muddy and soft in the corners and im ready to throw my current zoom lens right into a river tbh. Ive been rocking the Canon 5D Mark IV for a few years now for my landscape and travel stuff, and up until recently I thought my glass was fine. But no. Every time I try to capture wide vistas or rocky coastlines, the detail just isnt there when I pixel peep. Im a bit intermediate with my gear, definitely not a pro, but I know what a sharp image is supposed to look like and this isnt it. My budget is around a grand, maybe a little more if the glass is really worth it, and I mostly shoot wide open landscapes and occasionally some travel architecture when Im on the road. Im just tired of coming home disappointed after lugging heavy gear up a hill for two hours. What is actually the best landscape lens for the Canon 5D Mark IV that wont break the bank or my back, because I need something reliable that actually delivers sharp corners?


10 Answers
12

Everyone pushes native Canon L-series glass as the only option, but honestly the corners on the older versions are softer than people admit. I switched to the Tamron SP 15-30mm f/2.8 Di VC USD G2 two years ago after getting burned by expensive brand hype. Real field use proved it beats my old setup for a fraction of the cost.

  • Check your tripod setup first since mirror slap on the 5D Mark IV ruins sharpness at slower shutter speeds.
  • Use live view manual focus instead of relying on the viewfinder phase detect. Save your money and ignore the internet consensus.


10

I am no expert since I just went through this exact research process last week, but I had the same muddy corner issue on my 5D Mark IV. I ended up buying the Tamron SP 15-30mm f/2.8 Di VC USD G2 for around $900 used. It is heavy, but the corner sharpness is miles ahead of my old kit lens and it fits right in your budget. If you want something significantly lighter, the Canon EF 16-35mm f/4L IS USM is widely considered the sharpest wide-angle zoom Canon makes for landscape work, and you can easily find clean copies used for under $750. Both options will give you the crisp detail you are looking for without spending two grand on a brand new GM or L-series prime.


2

Saw this earlier and totally agree with the previous advice — honestly, you might also want to look into picking up a solid wide prime if zooms are driving you crazy.


2

Solid advice 👍


2

Just saw this thread pop up and honestly, everyone gets sucked into the brand-name hype and assumes they need crazy expensive red-ring glass for landscapes. Before you drop a grand, what kind of lighting and shutter speeds were you running when those shots looked soft? (Camera shake or diffraction at tight apertures messes up a lot of corners more than the actual glass does sometimes.) If your technique is solid and it really is the lens letting you down, look past the standard Canon stuff. Take a look at these instead:

  • Samyang 14mm f/2.8 ED AS IF UMC (dirt cheap brand new around $300, and despite the distortion, the center and mid-frame detail punches way above its weight class)
  • Sigma 14-24mm f/2.8 DG HSM Art (heavy, sure, but way sharper in the corners than older native options without completely draining your savings if you buy used around $700)


1

Bump - same question here


1

man I feel this post so hard, literally went through the exact same thing last weekend and almost chucked my kit bag off the cliff too lol... idk what to tell you about actual gear because half the internet reviews are just sponsored hype anyway, but I totally get the frustration with muddy corners. just commiserating cause my setup is driving me nuts lately too...


1

I agree with checking out primes. I picked up a used Tamron SP 15-30mm f/2.8 Di VC USD for $450 instead of new OEM glass. Saved me a ton of cash and the cost per year is practically zero.


1

Can confirm this works. Did the same thing on mine and its been solid ever since.


1

Look, drop the zoom idea entirely. Primes are where it is at for actual edge sharpness on a full frame sensor. I run the Zeiss Distagon T* 21mm f/2.8 ZE on my setup and those corners are crisp enough to cut yourself on.

  • No moving zoom elements to get sloppy over time.
  • Built like an actual engine block. Just buy it used, check your flange distance, and stop lugging heavy glass up hills.


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